The Floods of Aphrodite #834654

SYNOPSIS, THE FLOODS OF APHRODITE Femininity and masculinity – the foundations of life – are revised and resculpted into pillars that hold the foundation of the liberal Western sky. The 5 floods that are identified here thanks to the unusually short dynasties of Phoroneus Deucalion Cadmus Perseus Dardanus Heracles damage many fertile lands, eliminating the unique sacred and political technological power of Telchini and Cabiri. Who took their place? Above all, flood events make the demographic growth due to the biennial Dionysian rites unsustainable; many territories absorb sea salt, entire plains disappear forever under the Aegean and Ionian Seas, epochal climatic and political migrations are activated between Italy, Greece and the Near East. The foam of the sea symbolically and the castrations of Uranus and Osiris, theologically and politically, bring to light the Mother Goddess of the beginnings and invent the meaning of human beauty, the only immortal one which has its emblem in Aphrodite's belt and in Athena's virginity and Artemis is her original and revolutionary aegis. Aphrodite, heir of Samhat, is the free, unique, carnal and fleeting perfection that is achieved after the slow evolution imposed by the defeats that men and divinities suffer; the new Olympic faith will be secular and marble and will attempt to eternalize life with Art, a new political instrument, and with the Philosophy of ordinary mortals. Aphrodite opens the doors to the feeling of love no longer punished with death in the name of God: Sappho and the free figures of Aspasia Ibnadussa Frine Mania live. Venus reduces the tyrannical Bacchus to the role of host and wealth based on the first mass use of the body of weak decadence. Athena sees in the darkness with her predatory eye an Artemis capable of killing those who attack her in the thick of a forest: thus the women of Sparta and Athens will be born. It is only in Magna Graecia, heir of Magna Creta, that the focus is on the single or collective female life to be eternalised; the new lasting sacrifice that brings the gods together with men is performed with marble: only in this way will Iphigenia be safe in memory and in the new culture. Aphrodite's belt attracts without the fears and forces that Omfale and Cassandra suffered last; physical union and births are shared and not imposed by drug wine sounds, giving humanity men endowed with the various possible natural parental contributions. The naked and marble divinity symbolized by Aphrodite shows a more effective eternity, more impervious to the passing of centuries than the peculiarities of the Titanics and the Olympians. Our Western World was created first in Pelasgia and then in Hellas, after forcing and fractures imposed by tsunamis, epidemics, famines and revolutions that attacked the Mycenaean, Egyptian and Mesopotamian powers. This journey ends for the first time and does not begin with the war narrated by Homer and we discover why Helen's beauty and Priam's gold could not alone motivate a suicidal universal war. If Ilium cries, Mycenae does not laugh and what risks the loss of everything, with the disappearance of an era, is not the gold stolen by a couple of lovers or a loot to be divided among dozens of peasant populations embarked on a thousand expensive ships . Elena possesses much more than her gold or a mature and faded beauty. I wanted a different flight on Pegasus, in Delphi, thinking only about all the Classics, with love and not alone in the same heat as always and in the immovable dust of the Sacred Way.