How to Succeed - Stepping-stones to Fame and Fortune #688799

Wanted, a man who will not lose his individuality in a crowd, a man who has the courage of his convictions, who is not afraid to say "No," though all the world say "Yes."
Wanted, a man who, though he is dominated by a mighty purpose, will not permit one great faculty to dwarf, cripple, warp, or mutilate his manhood; who will not allow the over-development of one faculty to stunt or paralyze his other faculties.
Wanted, a man who is larger than his calling, who considers it a low estimate of his occupation to value it merely as a means of getting a living. Wanted, a man who sees self-development, education and culture, discipline and drill, character and manhood, in his occupation.
As Nature tries every way to induce us to obey her laws by rewarding their observance with health, pleasure and happiness, and punishes their violation by pain and disease, so she resorts to every means to induce us to expand and develop the great possibilities she has implanted within us. She nerves us to the struggle, beneath which all great blessings are buried, and beguiles the tedious marches by holding up before us glittering prizes, which we may almost touch, but never quite possess. She covers up her ends of discipline by trial, of character building through suffering by throwing a splendor and glamour over the future; lest the hard, dry facts of the present dishearten us, and she fail in her great purpose. How else could Nature call the youth away from all the charms that hang around young life, but by presenting to his imagination pictures of future bliss and greatness which will haunt his dreams until he resolves to make them real. As a mother teaches her babe to walk, by holding up a toy at a distance, not that the child may reach the toy, but that it may develop its muscles and strength, compared with which the toys are mere baubles; so Nature goes before us through life, tempting us with higher and higher toys, but ever with one object in view—the development of the man.
In every great painting of the masters there is one idea or figure which stands out boldly beyond everything else. Every other idea or figure on the canvas is subordinate to this idea or figure, and finds its real significance not in itself, but, pointing to the central idea, finds its true expression there. So in the vast universe of God, every object of creation is but a guide-board with an index finger pointing to the central figure of the created universe—Man. Nature writes this thought upon every leaf; she thunders it in every creation;  it exhales from every flower; it twinkles in every star.